The showcase event of Gershwin’s Porgy and Bess, concert version, with soloists of international standing. An exceptional line up and exceptional concert of a much loved Opera.
Ronald Samm was born in Port of Spain, the younger son of two headteachers. Early musical training began at St Mary’s College where he was a regular prizewinner in the island-wide biennial Music Festival. He studied voice and piano with Noelle Barker and Ian Kennedy at the Guildhall School of Music and Drama and won a scholarship from the Peter Moores/Lord Pitt Foundation to pursue postgraduate study with Nicholas Powell at the Royal Northern College of Music in Manchester.
Opera appearances have included Canio/I Pagliacci; Siegfried/Götterdämmerung (Act 3); Iro (Irus)/Il ritorno d’Ulisse in patria; Tamino/Die Zauberflöte; Don Jose/Carmen; Drum-Major/Wozzeck; the title role in Britten’s The Prodigal Son; Jake/Porgy and Bess; Otello/Otello; Sigmund/Die Walküre and Florestan in the multi award winning production of Fidelio, for Birmingham Opera Company, directed by Graham Vick.
Ronald Samm’s oratorio repertoire includes Handel’s Messiah; Bach’s Magnificat and St. John Passion; Mendelssohn’s Elijah; Beethoven’s Mass in C; Mozart’s Requiem; Verdi Requiem; Stainer’s Crucifixion and Lazarus in staged performances of John Adams’ The Gospel According to the Other Mary for Theater Bonn. He appeared as The Preacher in Bernstein’s Mass at the 2012 BBC Proms with the BBC National Orchestra of Wales.
Yolanda Grant-Thompson trained at the Royal Academy of Music and the Royal Northern College of Music, receiving the Lord Pitt and Wingate Awards for postgraduate study at RNCM.
Operatic engagements include: ENO’s production of Porgy and Bess; Sir Trevor Nunn’s production of Porgy and Bess at the Royal Opera House; going on to play the role of Annie in the subsequent BBCTV film of that production. Charlotte in Werther at the Royal Northern College of Music; Dorabella in Cosi Fan Tutte excerpts at the Aix-en-Provence Music Festival. Third Witch in Verdi’s Macbeth with Brent Opera; Third Lady in The Magic Flute and Lola in Cavalleria Rusticana; Nabucco, Madame Butterfly, La Boheme and Don Giovanni with New Decade Opera.
Concert solo engagements include: Elizabeth in the premier of Consider the Lilies by John Barber with soprano Elin Manahan Thomas at St Martin-in-the-Fields, highlights broadcast on BBC Radio 3; Paco Peña’s Requiem for the Earth with Paco Peña and soprano Joan Rodgers at the Royal Festival Hall; Spirit of the Middle Passage by Dr Shirley Thompson with the Philharmonia Orchestra at the Queen Elizabeth Hall, broadcast on BBC Radio 3; The Maya Angelou Tribute concert at the Royal Festival Hall and Verdi’s Requiem with Redbridge Symphony Orchestra at Redbridge Town Hall.
Musical theatre engagements include: Lily and Serena understudy in Sir Trevor Nunn’s production of Porgy and Bess at The Savoy theatre, Carmen understudy in Jude Kelly’s production of Carmen Jones at the Royal Festival Hall, soloist in Lost in the Stars at the Queen Elizabeth Hall, Simon Callow’s production of Carmen Jones at the Old Vic and Showboat at the Royal Albert Hall.
Gweneth Ann Rand
Gweneth Ann Rand trained at the University of Exeter, Goldsmith’s College and the Guildhall School of Music and Drama, London. During her training she received the Maggie Teyte, Ian Fleming and Sybil Tutton Awards. She was a Vilar Young Artist at The Royal Opera House, Covent Garden and in 2001 represented England at BBC Cardiff Singer of the World.
Highlights in recent seasons include acclaimed performances of 4.48 Psychosis for The Royal Opera / Lyric Hammersmith and at the Prototype Festival in New York; Serena in English National Opera’s lavish new production of Porgy and Bess; Mother Hansel and Gretel for ENO at Regent’s Park Open Air Theatre; and Tippett A Child of Our Time at the Brighton Festival with the Philharmonia Orchestra.
Her operatic engagements include Aida (English National Opera, Theater Bremen, Oper Kiel, Finnish National Opera, Macedonian Opera, Opera Poznań, Oldenburgisches Staatstheater); Senta Der fliegende Holländer (London Lyric Opera / Barbican); Leonora La forza del destino (Oper Köln); Leonora Il trovatore (Welsh National Opera); Amelia Un ballo in maschera and Margherita / Helena Mefistofele (Theater Erfurt); Tosca (Teatro Nacional de São Carlos); Gutrune Götterdämmerung (BBC Proms); and Aida, Santuzza, La Gioconda, La Wally and Leonora La forza del destino (Opera Holland Park).
Gweneth Ann is widely known for her acclaimed interpretations of Messiaen’s song cycles Harawi (including Cheltenham Festival, Wigmore Hall and for Opera North) and Poèmes pour Mi (Gürzenich Orchester Köln, Tonhalle Orchester Zürich and BBC Scottish Symphony Orchestra all under Jun Märkl). She also performed Harawi as part of the Southbank Centre’s composer centenary celebrations From the Canyons to the Stars and at the BBC Proms.
In the current season performances include the French premiere of 4.48 Psychosis at the Opéra national du Rhin; Mrs Grose The Turn of the Screw for OperaGlass Works at Wilton’s Music Hall, and roles with English Touring Opera.
Robert Winslade Anderson – Bass
Born in Kingston Jamaica, Robert was an ABRSM international Scholar at the Royal Academy of Music. His many prizes and awards include the Tom Hammond Opera Prize and the Vice Principal’s Award for Excellence.
He was a member of the full time chorus of Welsh National Opera where he also performed roles in various productions for the company as well as making appearances on the concert and recital platform throughout the UK. As a freelance soloist, he enjoyed with many of the UK’s major opera houses & companies such as Scottish Opera, Opera North, English National Opera, Glyndebourne,
English Touring Opera, Opera Holland Park, Bampton Classical Opera, Birmingham Opera Company and Grange Park Opera as well as appearances at The Bregenz & Buxton Festivals.
His operatic roles include Antinous/Il Ritorno d’Ulisse in Patria, Buonafede/Il Mondo Della Luna, Sarastro/The Magic Flute, Il Commendatore/Massetto/Don Giovanni, Don Fernando/Fidelio, Marquis of Calatrava/Force of Destiny, Ramphis/Aida Coline/La Boheme, Philip II/The Monk/Don Carlos, Ramfis/Aida, Ludovico/Othello, Shaklovity/Khavanchina, 2nd Grail Knight/Titurel©/Parsifal, Der Tod/Der Kaiser von Atlantis, Clarence/American Lulu, The Jailer/Tosca, The Old Man/Phoebus/The Day After (Jonathan Dove), Jake/Porgy & Bess and 1st Nazarene/Salome.
Concert highlights include Porgy & Bess with the Sinfonieorchester Villingen-Schwenningen, Germany, the Verdi Requiem with the orchestra of Scottish Opera, and the Mozart Requiem with Sir Roger Norrington as well as appearances at the Edinburgh International Festival and at the Bridgewater Hall as guest soloist with the Halle Orchestra and the BBC Proms. Conductors with whom he has worked include Sir Colin Davis, Sir Richard Armstrong, Mark Wigglesworth, Carlo Rizzi, Lothair Koenigs, Richard Farnes, Stephen Barlow, John Wilson, Stuart Stratford, Peter Selwyn, Robert Dean, Andrew Greenwood, Xian Zhang, Gerry Cornelius, Gianluca Marciano, Oleg Caetani, Keri Lynn Wilson and Martin Brabbins.
Robert is a member of the full time chorus of English National Opera. Upcoming performances include The Old Man/Phoebus in a revival of Jonathan Doves The Day After (ENO Studio Live) in London and Liverpool.
Nigel Foster was born in London and studied piano at the Royal Academy of Music and the Guildhall School of Music and Drama, where his teachers were Roger Vignoles, Graham Johnson and Iain Burnside. At both the Academy and the Guildhall he won every prize and award available for piano accompaniment, and has since been appointed an Associate of the Royal Academy of Music. In 2015 Nigel was appointed a Steinway Artist.
Nigel enjoys a busy schedule performing on the concert platform. He has played for singers including the late Philip Langridge, Sarah Walker, Yvonne Kenny, Roderick Williams, Ailish Tynan, Elizabeth Watts, Louise Winter, Ian Partridge, Neil Jenkins, James Gilchrist, Jeremy Huw Williams, Ruby Hughes, Elisabeth Meister, Elizabeth Llewellyn, Ashley Riches, Stephan Loges, Stephen Varcoe and Jane Manning, and instrumentalists including violinist Madeleine Mitchell. He has performed at major UK venues including the Wigmore Hall, South Bank Centre, Royal Opera House Covent Garden (Crush Room) and St John Smith Square in London, and St David’s Hall in Cardiff. Nigel has given concerts all over Europe; in France, Italy, Germany, Spain, Portugal, Belgium, The Netherlands and Greece, as well as in Asia (Japan, Malaysia), New Zealand and the Americas (USA, Colombia). He has broadcast on BBC Radio 3, Classic FM in the UK and on French, Welsh and Greek television.
Nigel is the founder, director and pianist of the London Song Festival, an annual event promoting the song repertoire. In addition to featuring internationally known artists, the Festival acts as a major showcase for young up-and-coming singers. Further details may be seen at www.londonsongfestival.org
Nigel has given master-classes and led workshops in the song repertoire at summer courses and music programmes all over the UK, in Belgium and Portugal (OperaPlus), Italy (Asolo Festival), Germany (Saarburg Festival), Luxembourg (Vianden Festival) and the USA (Summit City Art Song Festival and University of Toledo).
In his formative years Nigel played for Graham Johnson’s Songmakers’ Almanac, the Park Lane Group and several opera companies including Glyndebourne. Nigel has worked with conductors including Sir John Eliot Gardiner, playing for singers including Renee Fleming, Angela Gheorghiu and Roberto Alagna. Nigel’s musical interests range from the baroque right through to contemporary music, though his main love and passion is the song repertoire. He has given premieres of works by many leading composers including John Metcalf, Alun Hoddinott, Richard Causton, Julian Philips, Edward Rushton and Huw Watkins.
Nigel’s CD recordings include ‘The Silver Hound’, a disc of songs by Betty Roe, with Robin Tritschler, Sarah Leonard, Madeleine Mitchell and others, recently released on the Divine Art label; several discs of contemporary music and anthologies of songs of Alun Hoddinott and Mansel Thomas with Jeremy Huw Williams for the Sain label and collections of English song with Stephen Varcoe. He features on the soundtrack of the French film ‘L’Homme est une Femme Comme les Autres’.